Mark Danielson
is a Chief Inspector/Designer in the Chicago office of Klein and
Hoffman
Opening up an old masonry wall can be like opening up the proverbial
can of worms. A host of unforseen issues can rise to the surface.
Repairs on the exterior terra cotta walls of the Thompson Commissary
Building, originally designed in 1912 by Alfred Alschuler, were proceeding
as planned. Central Building and Preservations was working with the
building's construction consultant, Bob Bergazyn, to caulk, tuckpoint
and reset shifted units in the cornice at the upper roof.
By all appearances, it was to be a straightforward job. The only telltale
sign of apparent distress was the shifted and cracked cornice and
parapet wall units. Their movement apparently indicated some corrosion
of the support steel and anchorage. One of the characteristics of
terra cotta is that it can accommodate a great deal of internal stress
before deficiencies manifest themselves externally.
However, when several pieces of the shifted terra cotta were removed,
the significance of the problem became clear. The underlying structural
steel roof support beams and columns were discovered to be severely
corroded. As well as supporting the roof structure, all of the lateral
anchorage for the projecting terra cotta cornice was attached to these
members. The stability of the entire cornice and roof was in danger
a situation that Central recognized as clearly requiring a
structural engineer.
Klein and Hoffman, at the request of the contractor, was hired by
the owner to provide the necessary design and engineering services.
The firm conducted a conditions survey of the masonry cornice, related
anchorage and the building's structural steel frame. Our engineering
analysis clearly indicated the deteriorated structural steel members
supporting the upper roof had to be removed and replaced.
Not a simple procedure doing so required opening large portions
of the upper wall and roof. Special care had to be taken by the contractor
to make sure that business operations were not affected. To prevent
water or air infiltration into occupied office space below, temporary
enclosures had to be erected to render the wall weathertight. Further
steps had to be taken to accommodate tenants. Some work was performed
at night or weekends so as not to endanger building occupants.
When the project was originated, routine maintenance repairs and swing-stage
scaffolds were sufficient. Once the scope expanded, pipe staging had
to be erected across the entire front of the building, extending above
roof level. Again, the comfort of the tenants, including the occupants
of ground floor retail space as well as pedestrians, required special
attention.
Because such a large amount of structural steel needed to be replaced,
saving the terra cotta cornice became impossible. Reconstructing it
with new terra cotta would have been cost prohibitive. It also would
have meant delaying completion of the project 6-8 months for lengthy
fabrication.
In its heyday, terra cotta was a popular building material. It was
lightweight, came in a variety of decorative shapes and finishes,
and was cost effective. Terra cotta was originally chosen to clad
the Thompson Building because it conveyed cleanliness. What better
statement for the headquarters of a firm whose business was food production
and preparation.
And so, another solution had to be devised. One reason limestone was
chosen was because of the location of the repair, high above street
level. The stone would blend well visually with the terra cotta. In
addition, limestone was readily available and could also be planed
to approximate the profile of the vintage terra cotta. Matching the
original design intent was an important consideration in restoring
the Thompson Building's graceful appearance.
Structurally, though, the new cornice weighed more than the original.
Using the basic original drawings, obtained through the Chicago Historical
Society, Klein and Hoffman designed various modifications to accommodate
the additional loads and changes in profile entailed by the new cornice.
All existing and new steel members were cleaned, primed and coated
with rust inhibitive paint to prolong the life of the repair. State
of the art flashing systems were installed prior to setting the new
stone work.
Another consideration when repairing vintage masonry is melding new
technologies and current construction techniques with as-built conditions.
Design and detailing practices obviously have changed over time. An
awareness of how old and new fit together is crucial. This is especially
important when dealing with repairs to small sections of walls. Existing
stresses in the facade need to be addressed when inserting new materials.
Improperly detailed repairs can actually cause new problems.
The goal of any successful masonry restoration program is to preserve
and prolong the structure's useful life. Technical expertise, however,
is not enough to get the job done. Restoration engineering is about
"restoring" value to a clients properties. The most appropriate
repair/ rehabilitation program takes into account both financial and
aesthetic factors.
An owner should be prepared to experience some changes in scope, extent
and, of course, cost when working to repair or restore the facades
of older buildings. The three most frequently asked questions are:
- HOW MUCH WILL IT COST?
- WHAT WILL IT LOOK LIKE?
- HOW LONG WILL IT TAKE?
The answers are all interrelated. It may be helpful to look at these
issues in relation to three basic levels of repair.
- Essential Repairs Option
Seriously defective and irreparable brick, stone and terra cotta
are rebuilt using simple brick. As a result, this method of repair
will change the architectural character of the building.
- Approximation Option
Irreparable stone or terra cotta orna- mentation will be replaced
with lime- stone. Limestone lends itself well to approximation,
and for simple pro- files, duplication of the original con- figurations.
This option will have a slight impact on appearance.
- Restoration Option
Irreparable and/or ornate masonry is replaced with in-kind reproductions,
approximations or glass fiber reinforced concrete (GFRC) as a
replication. In some instances, bricks can be stained to match
the original. Masonry cleaning is often included as it not only
improves appearance but can aid in matching repair with existing
materials. This option comes closest to renewing the walls to
their original appearance.
In the case of the cornice
at the Thompson Building, the cost to exactly reproduce the original
terra cotta would have been 4 to 5 times that of the limestone rebuild.
While several repair/replacement materials were available, planed
limestone offered the best approximation of the cornices appearance.
Although some of the ornate profile detail was lost, the engineers
design was sensitive to the buildings look and character. (The
project has been submitted for consideration by the Landmarks
Preservation Council of Illinois for a restoration award.) Because
it was readily available, limestone also offered quick turnaround.
Even the many pieces involving several cuts for detailing were delivered
in a timely manner. On the other hand, lead time for the production
of new terra cotta would not have allowed for project completion until
the following year.
And so over a year after the original work began, the project was
completed. What had begun as routine maintenance had become a major
restoration. No one knew when the work started that a problem of such
magnitude lay hidden behind the buildings creamy terra cotta
facade.
Latent conditions are a common factor of many masonry repair projects.
When approaching a facade rehabilitation, its often wise to
"expect the unexpected."
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