Phil Renouf is an architectural
engineer and the CFO of Klein and Hoffman, Inc.
Among Chicagos architectural heritage are many vintage masonry
buildings which rely on terra cotta ornamentation for their rich
character. Fanciful images such as griffins, gargoyles, gods and
goddesses draw attention to facades and help define a buildings
lines.
Terra cotta was a popular building material because it could be
cast in an infinite number of decorative shapes. However, the
same properties which made it attractive to designers has made
it a challenge for building owners to maintain and preserve. By
virtue of its basic make-up (porous clay baked in hollowed-out
pieces) and attendant anchorage system, terra cotta is a complex
building material to repair and restore.
The first step in any rehabilitation program is an evaluation.
For buildings in the city subject to the recent ordinance on the
maintenance of exterior envelopes, an investigation becomes even
more important.
Because such decorative terra cotta, such as parapets, cornices,
friezes, column capitals, window mullions and copings, is located
on the upper reaches of buildings, it is exposed to harsh weathering.
With its ornate, projecting elements and placement, maintenance
is difficult and the likelihood of problems increases.
Problems are not easy to spot from the ground. Often the condition
of terra cotta units is difficult to determine unless they are
tapped, touched and even, selectively removed. At one building,
small shards of terra cotta facing were falling to the street,
18 stories below. A close-up inspection from a scaffold was necessary
to identify and remove dangerous pieces. In some cases, it was
discovered, that the only thing holding the terra cotta in place
was a bit of caulking or less.
Dangerous conditions resulting from unstable masonry must be addressed
promptly. Though it is not always economically feasible to completely
renovate a façade, emergency repair programs are designed to alleviate
safety hazards while respecting an owners budget. Emergency
measures might include removal of loose material; short-term supplemental
supports; or jacketing (encasing the area). Stabilization techniques
must be engineered with care and monitored closely. It must be
emphasized, however, that these are stop-gap measures. Long-term
solutions must eventually be administered.
An assessment of the type, location and extent of any deficiencies
will form the basis for subsequent decisions about repair options.
Three methods are available to repair terra cotta. Duplication
uses a model of the original piece as the basis for a new casting.
Replication entails casting a copy made from glass fiber,
reinforced concrete, or fiberglass as well as formed aluminum.
Approximation uses a piece of planned limestone to provide
a profile similar to the original.
A successful terra cotta repair program seeks to balance aesthetics
and cost. The choice of repair methods is governed by several
considerations:
- Level of deterioration
- Visibility of repair
- Desired appearance
- Budget
- Construction schedule
Working closely with an owner, an architect or engineer can help
preserve a building's architectural character.
|